The Memorial stage is directly underneath the DOA Colosseum. This stage is only playable in the story mode and cannot be accessed through the other arena.
Contributed by DrakeVagabond
Initially, the team thought about possibly using a realistic art style, but ultimately decided against it because there were already many fighting games with a realistic art style.
Contributed by DrakeVagabond
According to the series producer, Yosuke Hayashi, other Virtua Fighter characters were considered for guest characters in place of Jacky:
"With DoA5U we introduced Jacky into the series although some of the team here wanted to see Aoi or Eileen in the game instead. DoA already has a lot of female characters, and as I learned VF playing Jacky I thought he would be the perfect character to show the DoA fans just what VF is all about."
"With DoA5U we introduced Jacky into the series although some of the team here wanted to see Aoi or Eileen in the game instead. DoA already has a lot of female characters, and as I learned VF playing Jacky I thought he would be the perfect character to show the DoA fans just what VF is all about."
Contributed by DrakeVagabond
According to series producer Yosuke Hayashi, the Snow stage was directly inspired by the Castle stage from Virtua Fighter 4. The Beach stage is also inspired by the "beautiful rendition of water" on Jeffry's stage from Virtua Fighter 3.
Contributed by DrakeVagabond
During the planning phase of development, the development team originally wanted to include a bonus stage in the game:
"We asked the planner to come up with 100 different kinds, and he actually did it. But a lot of them were very out-there, like having Bonus Items fly in from the sky that you would have your character destroy. At that time, the general thought was that Bonus Games were essential for fighting games, but our conclusion from having thought of 100 different kinds was that we didn’t need one after all (laughs). So we quickly decided to cut the Bonus Stage from KOF’94."
"We asked the planner to come up with 100 different kinds, and he actually did it. But a lot of them were very out-there, like having Bonus Items fly in from the sky that you would have your character destroy. At that time, the general thought was that Bonus Games were essential for fighting games, but our conclusion from having thought of 100 different kinds was that we didn’t need one after all (laughs). So we quickly decided to cut the Bonus Stage from KOF’94."
Contributed by DrakeVagabond
At one point in development, the Ikari Team would throw hand grenades as their projectile attack, but in the end the developers thought "having grenades blowing up in a fighting game was a bit distasteful", so the idea was scrapped.
Contributed by DrakeVagabond
Kyo's girlfriend, Yuki, appears in the background of the Japan stage along with his motorcycle. The game was initially going to feature an intro sequence of Kyo where he would drive through the streets on his bike and an animation sequence where Yuki would appear when Kyo is defeated. These ideas were not featured in the final game.
Contributed by DrakeVagabond
The game was initially going to re-use sprites from Fatal Fury Special and Art of Fighting 2 during early development. However, they ultimately decided to create original assets for the game.
Contributed by DrakeVagabond
In the Japanese Saturn port of the game, it is possible to play as Pepsiman, the mascot for the Pepsi Company in Japan, by losing the first match in Arcade Mode. Then the player must defeat him to unlock him as a playable character.
In addition, the Pepsi brand can be seen advertised during the game's second attract mode with Tokio, on Picky's skateboard, and on both a truck and a billboard in Picky's Diner stage. However, they are not present in the US and PAL versions of the game as the Pepsi advertising was instead replaced with generic advertising.
In addition, the Pepsi brand can be seen advertised during the game's second attract mode with Tokio, on Picky's skateboard, and on both a truck and a billboard in Picky's Diner stage. However, they are not present in the US and PAL versions of the game as the Pepsi advertising was instead replaced with generic advertising.
In a Reddit AMA with Shutaro Iida, he revealed that, for him and his team, the most insufferable thing about developing this game and for the Nintendo DS was strict demand from higher ups "to use the touch [screen technology] as much as possible" during their development.
Contributed by PirateGoofy
Retro Studios, according to one of it's developers Bryan Walker, were at first extremely concerned about wanting to develop for Nintendo's upcoming Wii system due to the console's mediocre specs compared to the competition. However, being among the first westerners to see a prototype of the unique controller for the console, they were immediately won over by the gaming machine's groundbreaking motion-control gimmick.
“...And we were a little concerned to be blunt, and then, ta-da: they rolled out the Wii Remote. Kind of in unison, the whole team went, ‘Ohhhhh. Ahhhh. Okay.’ Everybody was watching at E3 where the Wii was rolled out and the stampede when they opened the door of people running right past the Sony PS3 display to get in line with the Nintendo display to play the Wii. We were like, ‘Ah okay. We understand now. We’ll be quiet.”
“...And we were a little concerned to be blunt, and then, ta-da: they rolled out the Wii Remote. Kind of in unison, the whole team went, ‘Ohhhhh. Ahhhh. Okay.’ Everybody was watching at E3 where the Wii was rolled out and the stampede when they opened the door of people running right past the Sony PS3 display to get in line with the Nintendo display to play the Wii. We were like, ‘Ah okay. We understand now. We’ll be quiet.”
Contributed by PirateGoofy
The idea for Lei-Fei was inspired by series creator Yu Suzuki's trip to China:
"In 1993 or 1994 I went to China and met a famous Shaolin monk, and so I wanted to create a Shaolin monk fighter for Virtua Fighter."
"In 1993 or 1994 I went to China and met a famous Shaolin monk, and so I wanted to create a Shaolin monk fighter for Virtua Fighter."
Contributed by DrakeVagabond
Retro Studios dev Bryan Walker recalled in an interview how unexpectedly understanding Shigeru Miyamoto was to him and his team's vision for the project in the planning stages and how considerate and mentorlike he was with their pitches and ideas. When the final moments of the collaboration were almost done, however, Walker recalled that Miyamoto said something in English to them that stuck with them forever: "Please take care of DK. He is my friend."
Contributed by PirateGoofy
According to a 1994 BEEP! Megadrive magazine interview with the game's producer/designer Koichi Kimura, he was asked where the idea for Dynamite Headdy came from? He responded:
"The biggest reason for making Dynamite Headdy was that our team wanted to create something original. 2 I’ve been a part of many game developments, but almost all of them were either based on pre-existing characters, or plans that were handed to me from above, which I then adapted and revised. I thought Dynamite Headdy would be a more fun and fulfilling development. Having worked in game dev for 5 years now, I thought it was high time to make something of my own creation. I knew that if I wanted to make my own game, I needed to make something that looked convincing from a commercial sales perspective, and I put a lot of effort into the initial design and conception of Dynamite Headdy along those lines."
Contributed by ProtoSnake
When obtaining the M1911, the improved grip upgrade has a golden bee emblem on it. This is likely a reference to the 'Lure of Bee' key item from Resident Evil (2002).
Contributed by ProtoSnake
In a 1997 interview with the game's director Koji Igarashi & designer Toshiharu Furukawa, they were asked how they came up with ideas for the game's huge assortment of weapons and items. Igarashi stated that they used a variety of different references, books and other materials, and tried to include things that had never been used in a Castlevania game before.
Furukawa added that each of the staff members had a special attachment to a different kind of blade, so they ended up using a good variety of blades in the final game. However, this bias did result in the developers' favorite weapons being overpowered, adding that "Not realizing that no one liked shields was a bit of a blind spot…"
Furukawa added that each of the staff members had a special attachment to a different kind of blade, so they ended up using a good variety of blades in the final game. However, this bias did result in the developers' favorite weapons being overpowered, adding that "Not realizing that no one liked shields was a bit of a blind spot…"
Contributed by ProtoSnake
Early promotional images for the game features Kasumi in a different, more revealing, costume. Her final design were be changed to white and have underclothing. And her previous design became her alternate costume.
Contributed by DrakeVagabond
According to the game's director Tatsuya Nakae in a 2000 Arcadia magazine #3 developer interview, he was asked if he could comment about the three new original characters: SonSon, Amingo and Ruby Heart in the game. Nakae stated that until now, Norimaro had been the only original character in Marvel vs. Capcom series, so he wanted to add more new characters in the game from the start. When Nakae asked the game's lead character designer Katsuhiro Eguchi for some designs, Eguchi told Nakae that he wanted to revive someone from a classic game and sent him a design that reinterpreted SonSon as a girl; Nakae stated "it was interesting and had a lot of impact" and put the character in the game.
Nakae then stated that Amingo was designed to fulfill the missing role of a non-human Capcom character that was "capable of really crazy movements", and that Ruby Heart was designed to be the leading character of the three newcomers (in a marquee role similar to Ryu and Cyclops) and as a new challenge to create a "cool, female character", the kind of which had not commonly taken center stage in games released at the time.
Nakae then stated that Amingo was designed to fulfill the missing role of a non-human Capcom character that was "capable of really crazy movements", and that Ruby Heart was designed to be the leading character of the three newcomers (in a marquee role similar to Ryu and Cyclops) and as a new challenge to create a "cool, female character", the kind of which had not commonly taken center stage in games released at the time.
Contributed by ProtoSnake
The game was originally going to be titled "Polygon Fighter" during its prototype phase of development. The title was then changed to "Ninja Fighter" before finally settling on "Dead or Alive" because of the pressure Tecmo placed on the game's success.
Contributed by DrakeVagabond
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