Trivia Browser
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In an interview with Nintendo Dream conducted roughly three months after the release of Mother 3, director and series creator Shigesato Itoi stated that the Magypsies were designed as a deliberate contrast with the game's otherwise "macho" setting. Rather than responding to violence with violence, they intervene through peaceful means and live fully aware of and comfortable with the inevitability of death.
In the same interview, Itoi also stated that he made representation a big part of the game's cast: the Magypsies were inspired by friends of his (though he did not specify if this referred to their philosophies or their depiction as nonbinary figures who take after drag culture), and Duster was given a limp "because there are handicapped people in our world." According to Itoi, the idea behind this was to encourage an anti-discrimination message.
In the same interview, Itoi also stated that he made representation a big part of the game's cast: the Magypsies were inspired by friends of his (though he did not specify if this referred to their philosophies or their depiction as nonbinary figures who take after drag culture), and Duster was given a limp "because there are handicapped people in our world." According to Itoi, the idea behind this was to encourage an anti-discrimination message.
subdirectory_arrow_right Tekken (Franchise)
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In an interview with Polygon, the series lead Director, Katsuhiro Harada, confirmed that King's motion capture was performed by Japanese pro-wrestling star and MMA pioneer, Minoru Suzuki. The wrestling star made King's fighting style with a mix of Mexican lucha libre and Japanese puroresu. Harada also said that Suzuki also invented original moves for King and Michelle (as well as Julia in future games). Harada also says that Suzuki also offered to choke him out, to which he said "Yeah, of course dude, I want you to choke me out" and that "it felt like taking a refreshing nap."
King's backstory was inspired by Sergio Gutiérrez Benítez, a catholic priest who moonlit as the masked wrestler Fray Tormenta to raise funds for his orphanage, while the character's jaguar mask design was inspired by Tiger Mask, a recurring masked persona first portrayed in real-life by mixed martial artist Satoru Sayama, and a character licensed out to Japanese professional wrestling companies from the 1968 manga of the same name by Ikki Kajiwara.
King's backstory was inspired by Sergio Gutiérrez Benítez, a catholic priest who moonlit as the masked wrestler Fray Tormenta to raise funds for his orphanage, while the character's jaguar mask design was inspired by Tiger Mask, a recurring masked persona first portrayed in real-life by mixed martial artist Satoru Sayama, and a character licensed out to Japanese professional wrestling companies from the 1968 manga of the same name by Ikki Kajiwara.
Polygon video about Katsuhiro Harada interview snippet:
https://www.youtube.com/watch?v=ibweoMXd5RI
Kotaku article featuring Tiger Mask:
https://kotaku.com/in-japan-wrestling-masks-arent-just-for-half-naked-dud-5845062
"Cheating Death, Stealing Life: The Eddie Guerrero Story" by Eddie Guerrero (page 91):
https://archive.org/details/cheatingdeathste00guer/page/91
https://www.youtube.com/watch?v=ibweoMXd5RI
Kotaku article featuring Tiger Mask:
https://kotaku.com/in-japan-wrestling-masks-arent-just-for-half-naked-dud-5845062
"Cheating Death, Stealing Life: The Eddie Guerrero Story" by Eddie Guerrero (page 91):
https://archive.org/details/cheatingdeathste00guer/page/91
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In an interview with the Bad Game Hall of Fame, Megumi Ayase, who programmed Virtual Lab singlehandedly, stated that the large-breasted woman who appears next to the playing field was based on the idealized image that she wanted to attain as a transgender woman. This is reflected in her name, Megu, a truncation of Ayase's given name. Ayase also stated that the decision to make Megu 13 years old was done without her consultation, and that she didn't find out about this until she read the game's manual, much to her surprise.
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Collection: Ōkami
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According to former Clover CEO Atsushi Inaba, the series' trademark Celestial Brush mechanic was directly inspired by the ukiyo-e art style. In a 2006 interview with GameSpy, Inaba stated "Once we fixed ourselves on a graphical style and got down to the brushwork, we thought, 'Wouldn't it be great if we could somehow get the player involved and participate in this artwork instead of just watching it?'" These comments also explain why in both games, activating the Celestial Brush renders the current frame as a scroll of washi paper.
Platform: PlayStation 2
subdirectory_arrow_right Nuon (Platform)
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While DVD video playback was a major selling point for the PlayStation 2, Sony didn't plan to support the feature at first, as they were already intending to manufacture standalone DVD players through their home entertainment department. However, after seeing a demonstration for the Nuon, a DVD player by VM Labs with video game support, Sony Computer Entertainment head Ken Kutaragi demanded that a similar level of multimedia functionality be incorporated into the PlayStation 2. The move was met with resistance from Sony's home entertainment wing, who believed that doing so would cause the console to cannibalize sales of their standalone DVD players. However, Kutaragi won out in the end due to the clout that the PlayStation brand had given him.
Techmoan video on the Nuon:
https://www.youtube.com/watch?v=JN_XeVSKqSY
Ars Technica article about the Nuon that mentions its impact on Sony:
https://arstechnica.com/gaming/2015/06/before-the-ps2-nuon-famously-tried-and-failed-to-combine-dvd-and-game-consoles/
https://www.youtube.com/watch?v=JN_XeVSKqSY
Ars Technica article about the Nuon that mentions its impact on Sony:
https://arstechnica.com/gaming/2015/06/before-the-ps2-nuon-famously-tried-and-failed-to-combine-dvd-and-game-consoles/
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One scrapped idea for a Wonder Flower transformation was an eight-heads-tall, life-size, live-action version of Mario that hummed to the background music and exclaimed "Boing" when jumping. This idea was pitched by series composer Koji Kondo, but was scrapped due to it being "hard to see the connection between pre-Wonder effect and during Wonder effect. And it's hard to imagine the gameplay changing much by having Mario turn into a live-action, human proportion version of himself." However, this did end up leading to the Sound Off? badge being created to keep the voice sound effects idea in the game. Incidentally, Kondo provided the voice acting for all of the sound effects included while wearing the badge.
IGN article:
https://www.ign.com/articles/koji-kondos-mario-wonder-pitch-was-a-super-tall-live-action-mario-that-said-boing
GamesRadar article:
https://www.gamesradar.com/after-39-years-nintendos-legendary-composer-put-his-voice-in-super-mario-bros-wonder-when-his-idea-for-a-live-action-mario-with-human-proportions-was-rejected/
https://www.ign.com/articles/koji-kondos-mario-wonder-pitch-was-a-super-tall-live-action-mario-that-said-boing
GamesRadar article:
https://www.gamesradar.com/after-39-years-nintendos-legendary-composer-put-his-voice-in-super-mario-bros-wonder-when-his-idea-for-a-live-action-mario-with-human-proportions-was-rejected/
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Fallout 2 is notable for being the first video game to feature same-sex marriage through opportunities to marry Miria or Davin, a sister and brother working at the slaughterhouse in Modoc. According to game designer Chris Avellone in 2019, nobody at Black Isle Studios working on the game was against the inclusion of same-sex marriage, and noted that "fans didn't seem to care" about it when playing the game. He believed the reason for this reception was because of it only being offered in Modoc, a tight-knit small town "where things can get wild and weird" that was more receptive to it than a more "modern" location like Vault City.
Kotaku article on history of same-sex marriage in video games:
https://kotaku.com/a-brief-history-of-gay-marriage-in-video-games-1714251913
Fallout 2 featuring same-sex marriage:
https://www.forbes.com/sites/davidthier/2015/06/27/fallout-had-gay-marriage-back-in-1998/
Article on Fallout 2's same-sex marriage featuring testimony from Chris Avellone:
https://gaymingmag.com/2019/08/fallout-2-21-years-after-the-first-western-same-sex-marriage-in-video-games/
https://kotaku.com/a-brief-history-of-gay-marriage-in-video-games-1714251913
Fallout 2 featuring same-sex marriage:
https://www.forbes.com/sites/davidthier/2015/06/27/fallout-had-gay-marriage-back-in-1998/
Article on Fallout 2's same-sex marriage featuring testimony from Chris Avellone:
https://gaymingmag.com/2019/08/fallout-2-21-years-after-the-first-western-same-sex-marriage-in-video-games/
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In a 2019 interview with Game Center CX host Arino Kacho, director and series creator Shigesato Itoi revealed that Ninten's asthma was inspired by his own experiences with the disease. According to Itoi, he would often play video games late at night while trying to fall asleep sitting up, as lying down would induce severe coughing fits. This resulted in him developing an interest in making a game with Nintendo, to whom he felt "indebted" for keeping him busy during a difficult part of his routine. Once development on Mother started, Ninten's asthma was one of the first traits that Itoi came up with. Itoi stated:"I wanted a weak hero. The main character in Mother has asthma, and his dad is never around. That was the setup I had in mind when wondering what kind of adventure story I could make."
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Dan Arey, a former Crystal Dynamics and Naughty Dog developer who worked on the second and third games in the series, praised the first game in a 1996 Retro Gamer magazine interview. Prior to joining Naughty Dog, he talked about how the game maintained its unique identity in the world of 3D platformers, even when faced with the groundbreaking influence of Super Mario 64. Arey emphasized that while Super Mario 64 embraced open-ended levels, programmer Andy Gavin and director Jason Rubin designed Crash Bandicoot to adhere to a more old-school, level-based structure while adding 3D depth to its platforming challenges by "going down 3D roads with occasional 2D side-wave elements, but everything was very focussed in terms of mechanics". Arey also expressed admiration for the game's technical achievements even before he joined Naughty Dog, which likely soon motivated him to do so:
"We saw some early demos when I was at Crystal Dynamics, and we were asking ourselves how they were getting so many polygons on the PlayStation. What they had done was pre-calculate the polygons you couldn't see from a fixed-camera viewpoint, so it looked like there were many more polygons being pushed on the system than ever before."
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When a Skittles game was first proposed to eventual Darkened Skye executive producer Elizabeth Braswell by her boss, she responded "well, you have two choices: you can fire me now, and make the next year and a half much easier on me, or you can, like, not make me do this." The following night, she went to a bar and got drunk over the Skittles project, which she deemed "the end of [her] career". While intoxicated, she conceived the idea of using Skittles as a vehicle to do a self-aware high fantasy adventure game she had always wanted to do, but never got the chance.
Collection: Nintendo Vs. Series
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The Nintendo Vs. Series originated as a way to gauge Nintendo's ability to court the North American market following the Great Video Game Crash of 1983. Because the crash had only affected the region's home console market, Nintendo believed that the still-thriving arcade scene would be a good way to test consumer interest in the Famicom library, porting select games to an arcade format. Despite the collapse of a deal with Atari to distribute the Famicom overseas, and despite the pessimistic results of market research, Nintendo president Hiroshi Yamauchi still believed that the company could successfully enter the field.
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The lyrics to Silver's theme, "Dreams of an Absolution", was based on songwriter Bentley Jones' relationship with his ex-boyfriend:
"Originally, I wrote "Dreams" about a bad ex-boyfriend who wanted to get back with me, and I couldn't shake off the past, and I was in this weird grey area that I didn't know if I wanted to move forward together anymore. Scandal! "Dreams" was written about a gay love story!"
subdirectory_arrow_right Ace Attorney (Franchise)
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According to series creator Shu Takumi in a 2017 interview, Capcom executives issued two mandates affecting the writing of Apollo Justice: Ace Attorney. The first mandate was that the game had to include Phoenix Wright in the story, which went against Takumi's original idea for a reset of the series. The second mandate was to incorporate the Lay Judge system, a real-life judicial system, into the story, resulting in the creation of Spoiler:the MASON System game program and the trial run of a new Jurist System in the game's last case "Turnabout Succession". The Ace Attorney series began as a critique of how Japan's legal system handles criminal offenses, but around this time, that system was changing. While Japan previously suspended an older jurist system in 1943, their legislative body, the National Diet, gradually implemented a new lay judge system (裁判員, or "Saiban-in") from 2004 to 2009. This system, resembling more democratic systems in North American and European countries, calls upon six random common citizens to serve in serious criminal trials as inquisitorial judges sitting alongside three professional judges. Together they make up the judicial panel and actively analyze and investigate evidence presented to them throughout the trial before ruling on guilt and sentencing. Reflecting this, Spoiler:the Jurist System seen at the end of Turnabout Succession is made up of six random jurors guided by Phoenix Wright, where the player from the sixth juror's perspective has to rule the defendant Guilty or Not Guilty.
Takumi revealed that as part of the game’s promotion, Capcom collaborated with the Japanese Ministry of Justice and even gave a presentation of Apollo Justice: Ace Attorney at the ministry's head office, implying that the system's mandated inclusion in the game was political propaganda. Despite Capcom cooperating in the Japanese government's push for this new system and despite participation experiences being reported as positive and easy to understand, the reception to other aspects of the system were largely negative. Complaints included gradually more severe sentencing since its implementation, the risk of criminal penalties for lay judges publicly discussing confidential deliberation room details after trials come to an end, and most starkly, calling upon Japanese citizens to put aside time to participate in the system, who have been increasingly unwilling to do so. This decline in interest has been largely attributed to the length of lay judge trials and even the length of pre-trial proceedings increasing significantly over the next decade, and due to aging populations and people simply not being able to make these commitments, more citizens refused to serve or even show up to be vetted for serving in the first place, making it harder to fill out the jury.
As a result of this reception, the Ace Attorney series has not used Spoiler:the MASON System and the Jurist System since, sticking with the series' traditional Initial Trial system in future games.
Takumi revealed that as part of the game’s promotion, Capcom collaborated with the Japanese Ministry of Justice and even gave a presentation of Apollo Justice: Ace Attorney at the ministry's head office, implying that the system's mandated inclusion in the game was political propaganda. Despite Capcom cooperating in the Japanese government's push for this new system and despite participation experiences being reported as positive and easy to understand, the reception to other aspects of the system were largely negative. Complaints included gradually more severe sentencing since its implementation, the risk of criminal penalties for lay judges publicly discussing confidential deliberation room details after trials come to an end, and most starkly, calling upon Japanese citizens to put aside time to participate in the system, who have been increasingly unwilling to do so. This decline in interest has been largely attributed to the length of lay judge trials and even the length of pre-trial proceedings increasing significantly over the next decade, and due to aging populations and people simply not being able to make these commitments, more citizens refused to serve or even show up to be vetted for serving in the first place, making it harder to fill out the jury.
As a result of this reception, the Ace Attorney series has not used Spoiler:the MASON System and the Jurist System since, sticking with the series' traditional Initial Trial system in future games.
Apollo Justice dev team 2007 interview:
https://gyakutensaibanlibrary.blogspot.com/2016/09/4-isnt-change-from-old-to-new-but.html?m=1
Shu Takumi 2017 interview:
https://news.capcomusa.com/2017/11/18/the-making-of-apollo-justice-ace-attorney-feat-shu-takumi/
Articles explaining the lay judge system and first case under it:
https://www.law.columbia.edu/news/archive/japans-new-jury-system-evaulated
https://web.archive.org/web/20160611021725/https://www.japantimes.co.jp/community/2009/12/08/issues/ichihashi-trial-key-test-of-legal-reforms/#.V1t0vCXP1S8
Articles featuring criticisms of the lay judge system:
https://foreignpolicy.com/2009/08/03/japans-new-unpopular-jury-system/
https://www.nippon.com/en/japan-data/h00468/japan-marks-10-years-since-start-of-lay-judge-system.html
https://web.archive.org/web/20190508022405/https://www.japantimes.co.jp/opinion/2019/05/05/editorials/evaluating-lay-judge-system-10-years/
https://apjjf.org/-Mark-Levin/3141/article.html
https://www.semanticscholar.org/paper/Sexual-Violence-in-Japan%3A-Implications-of-the-Lay-Suzuki/67b28807c51160297bb80bdb3b7fdcda95f50a74?p2df
https://gyakutensaibanlibrary.blogspot.com/2016/09/4-isnt-change-from-old-to-new-but.html?m=1
Shu Takumi 2017 interview:
https://news.capcomusa.com/2017/11/18/the-making-of-apollo-justice-ace-attorney-feat-shu-takumi/
Articles explaining the lay judge system and first case under it:
https://www.law.columbia.edu/news/archive/japans-new-jury-system-evaulated
https://web.archive.org/web/20160611021725/https://www.japantimes.co.jp/community/2009/12/08/issues/ichihashi-trial-key-test-of-legal-reforms/#.V1t0vCXP1S8
Articles featuring criticisms of the lay judge system:
https://foreignpolicy.com/2009/08/03/japans-new-unpopular-jury-system/
https://www.nippon.com/en/japan-data/h00468/japan-marks-10-years-since-start-of-lay-judge-system.html
https://web.archive.org/web/20190508022405/https://www.japantimes.co.jp/opinion/2019/05/05/editorials/evaluating-lay-judge-system-10-years/
https://apjjf.org/-Mark-Levin/3141/article.html
https://www.semanticscholar.org/paper/Sexual-Violence-in-Japan%3A-Implications-of-the-Lay-Suzuki/67b28807c51160297bb80bdb3b7fdcda95f50a74?p2df
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Star Fox: Assault is notable for including three unlockable Famicom/NES games originally created by Namco:• Xevious
• Battle City
• Star Luster
As explained by the development team in an issue of Nintendo Dream, this was done to highlight Star Fox: Assault being a collaboration between Nintendo and Namco, with the latter being its primary developer. With the Star Fox franchise being a sci-fi shooter series, Tsuyoshi Kobayashi and Takaya Imamura had carefully decided on which classic Namco games would fit the best with that vibe. There were considerations to also include Nintendo created Famicom/NES games (one person, for example, had suggested including Balloon Fight), but ultimately Imamura and Kobayashi couldn't come up with any games that would have fit the Star Fox world and atmosphere.
Unfortunately, as the Famicom versions of Battle City and Star Luster had never been released in Western territories, they in turn were excluded from all Western versions of Star Fox: Assault, leaving Xevious as the only unlockable Namco game outside of Japan.
Star Fox Assault Nintendo Dream interview:
https://shmuplations.com/starfoxassault/
Footage of Xevious, the only unlockable Namco game in the western version of SFAss:
https://youtu.be/BrMv7tKA74A?t=6
https://shmuplations.com/starfoxassault/
Footage of Xevious, the only unlockable Namco game in the western version of SFAss:
https://youtu.be/BrMv7tKA74A?t=6
subdirectory_arrow_right Star Fox (Franchise)
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During the development of the original Star Fox, character designer Takaya Imamura originally wanted to make the characters generic humans and aliens, similar to his character designs from F-Zero. It was Shigeru Miyamoto who convinced him to instead make them anthropomorphic animals, as he wanted the game's aesthetic to stand out from every other science fiction property coming out at the time.Fox in particular being a fox was inspired by the Fushimi Inari-taisha shrine located near Nintendo's offices.
Iwata Asks - Star Fox 64 3D:
https://iwataasks.nintendo.com/interviews/3ds/starfox/0/2/
2002 Nintendo Dream interview with Takaya Imamura on Star Fox Adventures:
https://shmuplations.com/starfoxadventures/
2002 Nintendo Official Magazine interview with Takaya Imamura:
https://web.archive.org/web/20030416023122/https://www.nintendo.co.jp/nom/0210/fox_03/page03.html
English translations of above NOM interview:
https://www.reddit.com/r/starfox/comments/18rek3h/just_throwing_out_a_translation_of_this_old/
Nintendo Classic Mini: SNES developer interview – Volume 1: Star Fox + Star Fox 2:
https://www.nintendo.co.uk/News/2017/September/Nintendo-Classic-Mini-SNES-developer-interview-Volume-1-Star-Fox-Star-Fox-2-1273086.html
https://iwataasks.nintendo.com/interviews/3ds/starfox/0/2/
2002 Nintendo Dream interview with Takaya Imamura on Star Fox Adventures:
https://shmuplations.com/starfoxadventures/
2002 Nintendo Official Magazine interview with Takaya Imamura:
https://web.archive.org/web/20030416023122/https://www.nintendo.co.jp/nom/0210/fox_03/page03.html
English translations of above NOM interview:
https://www.reddit.com/r/starfox/comments/18rek3h/just_throwing_out_a_translation_of_this_old/
Nintendo Classic Mini: SNES developer interview – Volume 1: Star Fox + Star Fox 2:
https://www.nintendo.co.uk/News/2017/September/Nintendo-Classic-Mini-SNES-developer-interview-Volume-1-Star-Fox-Star-Fox-2-1273086.html
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According to developer Hiroshi Iuchi, the reason that Radiant Silvergun features no power-ups is because he thought items in shoot ‘em up games like Thunder Force or Gradius could often result in cheap deaths, and he wished to streamline how players switched between their ship's guns in an effort to create a game that progressed through just shooting and dodging:
"There’s been many previous games where you swap weapons, so adding a button just for switching weapons seemed too boring, and you always have to be keeping track of where your weapon gauge is. I wanted something where the way you used your hands was managed mentally. If the different weapons were all based on finger combinations, you wouldn’t need to visually confirm weapons, you’d just automatically know what you were using.
We also deliberately made the bullets slow. If you’re going for a gameplay style that involves threading through tiny cracks in bullet curtains, then a slower bullet speed will allow a wider audience to enjoy the pleasure of bullet dodging."
We also deliberately made the bullets slow. If you’re going for a gameplay style that involves threading through tiny cracks in bullet curtains, then a slower bullet speed will allow a wider audience to enjoy the pleasure of bullet dodging."
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During Chapter 3: Course Correction, after going through a brief Zero Gravity section on the way to the Engine Room, you have to proceed through a tunnel featuring blasting steam, flashing lights, and an extremely loud and dense noise lasting all throughout the room, referred to by some players as one of the scariest rooms in the game. According to series creator Glen Schofield in a 2019 Ars Technica interview, this sound originates from a recording of the trains in San Francisco's Bay Area Rapid Transit (BART) system.
For decades, BART trains were infamous for producing a "high-pitched squeal" during turns that stemmed from a conscious design choice when engineers started building it in the mid-1960s to make the train wheels solid axle - or connected - so that they rotated at the same rate. This made the trains relatively quiet on straightaways, which constitute a majority of BART's tracks, but because of the design, one of the wheels ended up getting dragged against the rail on turns, with this friction causing the noise.
During Dead Space's development when this was still an issue, audio director Don Veca recounted his experience riding a BART train to Schofield (the following quote paraphrased by him):
The next day, Veca brought a microphone with him to record the noises. According to Schofield, the developers loved the resulting recordings, because it showed them a new way to use sound even more in the game's design by helping them realize how they could only use sound to scare people without relying on any enemies or other planned horror elements:
As for BART, they finally remedied the noise issues between October 2017 and February 2019, when they gradually replaced every train wheel in its fleet with new wheels designed to reduce the noise by as much as fifteen decibels, effectively making the riding experience "many times quieter than before".
For decades, BART trains were infamous for producing a "high-pitched squeal" during turns that stemmed from a conscious design choice when engineers started building it in the mid-1960s to make the train wheels solid axle - or connected - so that they rotated at the same rate. This made the trains relatively quiet on straightaways, which constitute a majority of BART's tracks, but because of the design, one of the wheels ended up getting dragged against the rail on turns, with this friction causing the noise.
During Dead Space's development when this was still an issue, audio director Don Veca recounted his experience riding a BART train to Schofield (the following quote paraphrased by him):
"'Glen, I was going in the BART train, we went under the Bay, and it's THE WORST SOUND IN THE HISTORY OF MAN!' or something like that, and I'm like 'RECORD IT!'"
The next day, Veca brought a microphone with him to record the noises. According to Schofield, the developers loved the resulting recordings, because it showed them a new way to use sound even more in the game's design by helping them realize how they could only use sound to scare people without relying on any enemies or other planned horror elements:
"-people are RUNNING in the room! They are just trying to get out of that room, it's so awesome!"
As for BART, they finally remedied the noise issues between October 2017 and February 2019, when they gradually replaced every train wheel in its fleet with new wheels designed to reduce the noise by as much as fifteen decibels, effectively making the riding experience "many times quieter than before".
Dead Space - BART train sound effect:
https://www.youtube.com/watch?v=BFPr6OlNKpg
Glen Schofield interview:
https://www.youtube.com/watch?v=BQ3iqq49Ew8?t=272
Article on the sound origin:
https://www.pcgamer.com/one-of-dead-spaces-scariest-sounds-is-san-franciscos-public-transportation/
BART screeching noise articles:
https://www.kqed.org/news/11030282/why-are-bart-trains-so-loud
https://www.wired.com/2016/09/three-year-fight-make-san-franciscos-subway-stop-screaming/
https://sf.curbed.com/2018/6/11/17449460/bart-screen-conversion-wheel
https://sf.curbed.com/2017/10/17/16488656/bart-tracks-loud-noise-maintenance
https://www.sfgate.com/bayarea/article/BART-noise-levels-decibels-trains-headphones-loud-13602734.php
https://www.youtube.com/watch?v=BFPr6OlNKpg
Glen Schofield interview:
https://www.youtube.com/watch?v=BQ3iqq49Ew8?t=272
Article on the sound origin:
https://www.pcgamer.com/one-of-dead-spaces-scariest-sounds-is-san-franciscos-public-transportation/
BART screeching noise articles:
https://www.kqed.org/news/11030282/why-are-bart-trains-so-loud
https://www.wired.com/2016/09/three-year-fight-make-san-franciscos-subway-stop-screaming/
https://sf.curbed.com/2018/6/11/17449460/bart-screen-conversion-wheel
https://sf.curbed.com/2017/10/17/16488656/bart-tracks-loud-noise-maintenance
https://www.sfgate.com/bayarea/article/BART-noise-levels-decibels-trains-headphones-loud-13602734.php
subdirectory_arrow_right High Impact Games (Company)
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The console version of Phineas and Ferb: Across the Second Dimension has been noted to take heavy inspiration from the Ratchet & Clank series of games. This is because High Impact Games, the game's developer, was formed by former members of Insomniac Games, the creators of the Ratchet & Clank series.
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The appearance of Golden Capital Zone is based on concept artwork for the original Sonic the Hedgehog, from the appearance of the shuttle loops to the glittering temples in the background, with Japanese text in the concept art referring to it as a "gleaming, gold plated landscape with a Southeast Asian feel."
Sonic Superstars - Golden Capital Zone:
https://youtu.be/19_8NkMIE-A?t=453
Concept art:
https://tcrf.net/Prerelease:Sonic_the_Hedgehog_(Genesis)/Concepts_%26_Ideas#Level_Concepts
https://youtu.be/19_8NkMIE-A?t=453
Concept art:
https://tcrf.net/Prerelease:Sonic_the_Hedgehog_(Genesis)/Concepts_%26_Ideas#Level_Concepts