Trivia Browser
subdirectory_arrow_right The Great Ace Attorney: Adventures (Game), The Great Ace Attorney 2: Resolve (Game)
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In regards to the localization, Janet Hsu approached The Great Ace Attorney games as a story, like all other Ace Attorney titles. In particular, historical and cultural background research was needed to base the translation on, with a desire to preserve the "period feel" of the setting. For example, in regards to the Court Record's subtitle system, Hsu asked the programmers to create a new UI system that would allow her to add subtitles to pieces of evidence, rather than redoing the textures in English. This was done for the sake of preserving the flavour of the Meiji Japan setting.
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Man of Action Entertainment, an American writing collective best known for creating Marvel Comics' "Big Hero 6" and several animated action shows for Cartoon Network (i.e. "Ben 10" and "Generator Rex"), helped create the story for The Quiet Man.
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According to Final Fantasy XVI's creative director/scenario writer Kazutoyo Maehiro and the game's producer Naoki Yoshida in a 2023 IGN article, in the Japanese version of the game, Chocobos are referred to as "uma" (馬), which is the Japanese word for "horse". Initially, neither Maehiro or director Hiroshi Takai considered using Chocobos in the game at all, because according to Maehiro, "when thinking about the story, the worldview, and a feeling of reality, a horse just looked better as a silhouette when straddled." Yoshida elaborated that horses fit better when building a world based on European medieval gothic fantasy:
Despite this explanation, Yoshida still instructed the development team to include Chocobos in the game in an effort to stay faithful to the series' long-standing elements. The Japanese version also still refers to them as Chocobos and horses interchangeably. Maehiro stated that he tried to tie the Chocobos into the history of Valisthea through partnerships with its people, in an effort to create something culturally familiar. He justified this by stating that in Japanese, they "sometimes refer to a car as 'legs', or not having a car as 'having no legs'; and in the same way, the people of Valisthea refer to Chocobos as 'horses'." He subsequently implied that actual horses may exist in other regions in the game's world, but that in Valisthea, Chocobos function as their regional equivalent to actual horses. Localization director Michael-Christopher Koji Fox also stated that he decided not to refer to Chocobos as horses in the game's English translation:
The terminology in the decision to refer to Chocobos as horses resulted in confused or joking reactions from Japanese players online, since this is not the first time Chocobos were referred to as horses in the series. In the original 2010 release of Final Fantasy XIV Online, the kanji characters for horse and bird (鳥 , "tori") were used together as "horsebird" (馬鳥) in the Japanese script in place of the standard katakana for Chocobo (チョコボ). At release, several other katakana terms were replaced with kanji symbols, with some terms existing in-game as written in Chinese rather than Japanese. Square Enix offered several conflicting explanations for the changes, including the need to "build atmosphere", and to consolidate terminology with the then-upcoming Chinese-language release, but these did not help as the change caused an uproar among Japanese players, resulting in Chocobo being reincorporated into the Japanese version's script in a future update. The controversy would later be referenced in the 2013 reboot of Final Fantasy XIV Online through a piece of dialogue spoken by Golden Uma Doshin, a Quest NPC found in Central Shroud as part of the limited time quest "Turn Around, Beautiful":
"In reality, horses are animals that can build strong partnerships with humans. We share a long history with them. Weapons involving horses also appear more realistic. Especially with the improvement in graphics being so remarkable, there is a chance that it becomes difficult to lie or deceive viewers, in a good way, and as a result, may impair the sense of immersion. Chocobos are based on birds, which first of all means they don’t stand on four legs, and that makes them more difficult to mount. When compared with a horse it might not feel as stable to ride a Chocobo, and their wings aren’t big and strong enough to take you to the sky, either."
Despite this explanation, Yoshida still instructed the development team to include Chocobos in the game in an effort to stay faithful to the series' long-standing elements. The Japanese version also still refers to them as Chocobos and horses interchangeably. Maehiro stated that he tried to tie the Chocobos into the history of Valisthea through partnerships with its people, in an effort to create something culturally familiar. He justified this by stating that in Japanese, they "sometimes refer to a car as 'legs', or not having a car as 'having no legs'; and in the same way, the people of Valisthea refer to Chocobos as 'horses'." He subsequently implied that actual horses may exist in other regions in the game's world, but that in Valisthea, Chocobos function as their regional equivalent to actual horses. Localization director Michael-Christopher Koji Fox also stated that he decided not to refer to Chocobos as horses in the game's English translation:
"I remember seeing it in the script and remarking, 'You're saying 'horse' here. You're sure that's OK?' But Maehiro said, 'Yes, this is what we wanted to do.' In English, we never really wanted to use the word horse, because Chocobos and horses are entirely different. It just sounded weird to us in that sense. But we do use words like 'steed'; and I think 'courser' [a medieval word for a warhorse,] as well."
The terminology in the decision to refer to Chocobos as horses resulted in confused or joking reactions from Japanese players online, since this is not the first time Chocobos were referred to as horses in the series. In the original 2010 release of Final Fantasy XIV Online, the kanji characters for horse and bird (鳥 , "tori") were used together as "horsebird" (馬鳥) in the Japanese script in place of the standard katakana for Chocobo (チョコボ). At release, several other katakana terms were replaced with kanji symbols, with some terms existing in-game as written in Chinese rather than Japanese. Square Enix offered several conflicting explanations for the changes, including the need to "build atmosphere", and to consolidate terminology with the then-upcoming Chinese-language release, but these did not help as the change caused an uproar among Japanese players, resulting in Chocobo being reincorporated into the Japanese version's script in a future update. The controversy would later be referenced in the 2013 reboot of Final Fantasy XIV Online through a piece of dialogue spoken by Golden Uma Doshin, a Quest NPC found in Central Shroud as part of the limited time quest "Turn Around, Beautiful":
"Chocobo... chocobo... chocobo... Nothing but horsebirds in this stable. A sight to disturb Eastern eyes, to be sure."
IGN: Chocobos are Called 'Horses' in the Japanese Version of Final Fantasy XVI:
https://www.ign.com/articles/chocobos-are-called-horses-in-final-fantasy-xvi-japanese-version
Censored Gaming: In The Japanese Version Of Final Fantasy XVI, Chocobos Are Called "Horses":
https://www.youtube.com/watch?v=7AT-QpAwkqQ
Destructoid: Final Fantasy XIV text issue turns Chocobos to Horsebirds:
https://www.destructoid.com/final-fantasy-xiv-text-issue-turns-chocobos-to-horsebirds/
Final Fantasy XIV Online wiki articles:
https://ffxiv.consolegameswiki.com/wiki/Golden_Uma_Doshin
https://ffxiv.consolegameswiki.com/wiki/Turn_Around,_Beautiful
https://www.ign.com/articles/chocobos-are-called-horses-in-final-fantasy-xvi-japanese-version
Censored Gaming: In The Japanese Version Of Final Fantasy XVI, Chocobos Are Called "Horses":
https://www.youtube.com/watch?v=7AT-QpAwkqQ
Destructoid: Final Fantasy XIV text issue turns Chocobos to Horsebirds:
https://www.destructoid.com/final-fantasy-xiv-text-issue-turns-chocobos-to-horsebirds/
Final Fantasy XIV Online wiki articles:
https://ffxiv.consolegameswiki.com/wiki/Golden_Uma_Doshin
https://ffxiv.consolegameswiki.com/wiki/Turn_Around,_Beautiful
Platform: Xbox One
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"Xbox 720", a popular preliminary name given by fans and the press to the hypothetical Xbox 360 successor that would eventually become the Xbox One, was the official working title of the hardware according to a leaked Microsoft corporate slideshow from 2012, a year prior to the console's announcement.
Tweet summary:
https://twitter.com/idlesloth84_/status/1751946565223112994
Original slideshow PDF:
https://files.catbox.moe/xyabnx.pdf
Video on document leak:
https://www.youtube.com/watch?v=1NPUHdpT3yo
https://twitter.com/idlesloth84_/status/1751946565223112994
Original slideshow PDF:
https://files.catbox.moe/xyabnx.pdf
Video on document leak:
https://www.youtube.com/watch?v=1NPUHdpT3yo
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Sujimon Sensei describes Hawaii as being "blessed by the sun and the moon." Considering that Sujimon Sensei and several other related elements introduced in Yakuza: Like a Dragon are parodies of the Pokémon series, this line is most likely a reference to Pokémon Sun & Moon, which takes place in a region inspired by Hawaii.
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Kira's photo unlocked at "Sweetheart" level was originally going to feature her holding a frothy mug of ale, but this was scrapped in favor of having her tug the player's shirt.
subdirectory_arrow_right Nobunaga's Ambition (Collection)
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In an interview with the game's producer Michi Ryu published on Noisy Pixel on June 22, 2023, in response to a question asking if Nobunaga's Ambition: Awakening would bring together all of the series' history in honor of its 40th anniversary, he stated:
In a separate interview with Siliconera, he clarified that the game's concept was the most impactful change made during development, since in previous Nobunaga's Ambition titles, officers only acted when players ordered them to. With Awakening, officers are able to think and act on their own in various situations without orders, which Ryu felt was closer to how humans act in real-life and to how various officers during Japan's Warring States period would have acted without orders from daimyos, the latter of which they tried to show in the game.
"The goal of this series is to create a realistic experience of Warring States Japan, but other than that vision, we are not too conscious about the past that much. Although there may have been staff members who were. Even if we had created the same system as past games, ideas change as people change. As gaming platforms evolve, we can also show more, so I didn’t worry about it even if we made the same thing in the past. For this game, the concept is a living officer who thinks for himself and act accordingly, but I focused more on how we wanted to show things next, and not on doing something that has not been done before."
In a separate interview with Siliconera, he clarified that the game's concept was the most impactful change made during development, since in previous Nobunaga's Ambition titles, officers only acted when players ordered them to. With Awakening, officers are able to think and act on their own in various situations without orders, which Ryu felt was closer to how humans act in real-life and to how various officers during Japan's Warring States period would have acted without orders from daimyos, the latter of which they tried to show in the game.
Nobunaga’s Ambition: Awakening Interview – Producer Reflects on 40 Years of Nobunaga and its Future:
https://noisypixel.net/nobunagas-ambition-awakening-producer-interview/
Interview: How Nobunaga’s Ambition: Awakening Builds on the Past Entries:
https://www.siliconera.com/interview-how-nobunagas-ambition-awakening-builds-on-the-past-entries/
https://noisypixel.net/nobunagas-ambition-awakening-producer-interview/
Interview: How Nobunaga’s Ambition: Awakening Builds on the Past Entries:
https://www.siliconera.com/interview-how-nobunagas-ambition-awakening-builds-on-the-past-entries/
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In an interview with the game's producer Michi Ryu published on Siliconera on July 25, 2023, he revealed that the COVID-19 pandemic had a significant impact on the game’s development, which started just before the pandemic. The team had to adjust to an unfamiliar work style and structure, which made it difficult to exchange information with team members. Chat tools and video calls became crucial for communication during this period, which they normally did not use before.
Ryu mentioned another significant challenge during development was the unification of daimyo and retainers. The team wanted to show the theme of "living officers who think and act on their own", but found it difficult to decide to what extent retainers should act on their own. Some would act too smart and expand their territory if the player left them alone which Ryu believed would make for boring gameplay, but he also did not want to put extra stress on the player by making the officers stupid. Their solution to this was "not to indicate what is right to do but to let the players decide."
Conversely, Ryu could not recall anything that came together easily during the development process.
Ryu mentioned another significant challenge during development was the unification of daimyo and retainers. The team wanted to show the theme of "living officers who think and act on their own", but found it difficult to decide to what extent retainers should act on their own. Some would act too smart and expand their territory if the player left them alone which Ryu believed would make for boring gameplay, but he also did not want to put extra stress on the player by making the officers stupid. Their solution to this was "not to indicate what is right to do but to let the players decide."
Conversely, Ryu could not recall anything that came together easily during the development process.
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Game producer Katsuhiro Harada has stated that a single Alpaca, which appear in the background of the Ortiz Farm stage, is made up of more polygons than any fighter character's model from Tekken 1 through to Tekken Tag Tournament.
subdirectory_arrow_right The Great Ace Attorney 2: Resolve (Game), The Great Ace Attorney: Adventures (Game)
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Head localizer Janet Hsu struggled with the inclusion of real-life Japanese novelist Natsume Sōseki when localizing The Great Ace Attorney games. While Natsume is recognizable to Japanese players (his books are required learning in Japanese schools), his character relied on a natural cultural warmth towards him. This made it difficult to make the character as lovable for an audience who would likely not know who he is.
subdirectory_arrow_right Gyakuten Saiban 3 (Game)
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Although it had never been stated that Mia Fey had won all of her completed trials, Shu Takumi considered this to be true when considering how the game's fourth episode "Turnabout Beginnings" (which canonically features the first trial for both Mia and Miles Edgeworth, the latter of whom had been stated to have a perfect win record in trials prior to the events of the first game) would be resolved:
"Ayasato Chihiro! Became a defense attorney at 24 and was always undefeated!
Mitsurugi Reiji! Became a prosecutor at 20 and was always victorious!
Yes. Their pasts were already set.
A trial where “the undefeated” collides with the “ever victorious”. What could the verdict be…?
There was only one answer to that on my mind."
Mitsurugi Reiji! Became a prosecutor at 20 and was always victorious!
Yes. Their pasts were already set.
A trial where “the undefeated” collides with the “ever victorious”. What could the verdict be…?
There was only one answer to that on my mind."
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Mr. Gimmick director Tomomi Sakai has claimed that Mario creator Shigeru Miyamoto is a fan of the game:
"After completing Mr. Gimmick, an acquaintance of Miyamoto’s was kind enough to mention to me that Miyamoto said Gimmick was a lot of fun. Mr. Miyamoto doesn’t seem to be the type to praise other people’s work, so he added that he thought Miyamoto regretted being forced to admit it. Considering I’d always wanted to make a game that outdid every other action game out there, including Mario, that made me really happy."
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Following the Steam Early Access release of Palworld on January 18, the developers faced accusations of copying Pokémon models for the designs of the game's Pals. The allegations were made by a Twitter user named byofrog, who claimed that some of Palworld's creature models were directly copied and edited from 3D models ripped from Pokémon games. These allegations were criticized for scaling the Pokémon and Palworld models to be comparable in size, leading to claims that edited models were not reliable or accurate evidence. byofrog claimed in response that because the models from each game loaded into modeling software at different sizes, scaling them appropriately were the only necessary edits made to compare them, and that the models' meshes, proportions, and other fundamental features were not edited.
Takuro Mizobe, the CEO of Palworld developer Pocket Pair, denied the allegations, calling them "slanderous", and also stated that Pocket Pair has "no intention of infringing upon the intellectual property of other companies". On January 25, The Pokémon Company released an official statement confirming they were aware of a flood of inquiries about "another company’s game released in January 2024", and that they were currently investigating them.
Takuro Mizobe, the CEO of Palworld developer Pocket Pair, denied the allegations, calling them "slanderous", and also stated that Pocket Pair has "no intention of infringing upon the intellectual property of other companies". On January 25, The Pokémon Company released an official statement confirming they were aware of a flood of inquiries about "another company’s game released in January 2024", and that they were currently investigating them.
The Pokémon Company statement:
https://corporate.pokemon.co.jp/media/news/detail/335.html
PC Gamer article:
https://www.pcgamer.com/palworld-accused-of-copying-pokemon-models-developer-pushes-back-says-artists-are-being-slandered/
Kotaku article:
https://kotaku.com/pokemon-palworld-comparison-models-plagiarism-ai-1851192901
The Hollywood Reporter article:
https://www.hollywoodreporter.com/business/business-news/pokemon-palworld-lot-common-copyright-law-says-likely-legal-1235805397/
TheGamer article:
https://www.thegamer.com/palworld-plagiarism-ai-pokemon/
https://corporate.pokemon.co.jp/media/news/detail/335.html
PC Gamer article:
https://www.pcgamer.com/palworld-accused-of-copying-pokemon-models-developer-pushes-back-says-artists-are-being-slandered/
Kotaku article:
https://kotaku.com/pokemon-palworld-comparison-models-plagiarism-ai-1851192901
The Hollywood Reporter article:
https://www.hollywoodreporter.com/business/business-news/pokemon-palworld-lot-common-copyright-law-says-likely-legal-1235805397/
TheGamer article:
https://www.thegamer.com/palworld-plagiarism-ai-pokemon/
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Despite its status as a crossover game, both Level-5 CEO Akihiro Hino and Ace Attorney series creator Shu Takumi view Professor Layton vs. Phoenix Wright: Ace Attorney as a legitimate installment in their respective series, rather than as a simple spin-off. In an "Iwata Asks" interview, when asked if the game was ideal for those who hadn't played either series, Hino specifically said:
"Yes, I think so. This title is not a spin-off from either series. When we were working on the game, we always had the image in mind that it was a fusion of the two. As a result, I think this title outdoes both original series in terms of volume and quality. In that sense, I think that even people who don’t own a Nintendo 3DS yet have to get hold of this game. I’d consider it a “must buy”. (laughs)
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The large, exaggerated "eyes" on the Basilisk enemies are actually fake, and their real eyes are smaller and located just underneath.
Translated interview:
http://soulslore.wikidot.com/das1-game-no-shokutaku
Podcast episode with Dark Souls developer interview:
http://www.nicozon.net/watch/sm16376638
Reddit source for translations and podcast link:
https://www.reddit.com/r/darksouls/comments/4fbm7y/game_no_shokutaku_with_hidetaka_miyazaki/
Attached image source:
https://www.reddit.com/r/DarkSouls2/comments/11r0edp/til_that_basilisks_have_their_real_eyes_under_the/
http://soulslore.wikidot.com/das1-game-no-shokutaku
Podcast episode with Dark Souls developer interview:
http://www.nicozon.net/watch/sm16376638
Reddit source for translations and podcast link:
https://www.reddit.com/r/darksouls/comments/4fbm7y/game_no_shokutaku_with_hidetaka_miyazaki/
Attached image source:
https://www.reddit.com/r/DarkSouls2/comments/11r0edp/til_that_basilisks_have_their_real_eyes_under_the/
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During the development of Dark Souls, a popular tactic among the development team to go past Blighttown's Blowdart Sniper enemies (who can inflict the player with Toxic, a poison effect that gradually reduces the player's health) was to use the Dung Pie item to inflict Toxic on yourself already. This is because the Toxic effect from Dung Pies are much milder and the Toxic effect in general does not stack. This was not intended, but was kept in because they felt it added extra depth to the game.
Translated interview:
http://soulslore.wikidot.com/das1-game-no-shokutaku
Podcast episode with Dark Souls developer interview:
http://www.nicozon.net/watch/sm16376638
Reddit source for translations and podcast link:
https://www.reddit.com/r/darksouls/comments/4fbm7y/game_no_shokutaku_with_hidetaka_miyazaki/
http://soulslore.wikidot.com/das1-game-no-shokutaku
Podcast episode with Dark Souls developer interview:
http://www.nicozon.net/watch/sm16376638
Reddit source for translations and podcast link:
https://www.reddit.com/r/darksouls/comments/4fbm7y/game_no_shokutaku_with_hidetaka_miyazaki/
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The NTSC release of the Nintendo DS version of Max & the Magic Marker has the entirety of the song "Wonderwall" by Oasis in its files, complete with audio tag metadata and the cover artwork of their album (What's the Story) Morning Glory?.
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Claptrap's bounty item is his 2012 Character of the Year award from the Spike Video Game Awards. In the cutscene of him putting the bounty on the table for the tournament, GLaDOS says that it looks familiar. This is a reference to how Portal 2 was nominated for and won six awards at the 2011 Spike VGAs, with GLaDOS and Wheatley's voice actors, Ellen McLain and Stephen Merchant, also winning awards for Best Performance by a Human Female/Male respectively.
Claptrap bounty guide:
https://www.youtube.com/watch?v=wWpJi6omGek
2011 Spike TV Video Game Awards nominees:
https://www.prnewswire.com/news-releases/spike-tv-announces-2011-video-game-awards-winners-135392198.html
https://www.youtube.com/watch?v=wWpJi6omGek
2011 Spike TV Video Game Awards nominees:
https://www.prnewswire.com/news-releases/spike-tv-announces-2011-video-game-awards-winners-135392198.html
subdirectory_arrow_right Windjammers 2 (Game)
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In the original Japanese version of Windjammers, Steve Miller is British, but in the international versions of the game, he is South Korean and named "Beeho Yoo". This is referenced in Miller's ending in Windjammers 2, where he takes off a mask, revealing a bald head, and enters a cloning facility, overlooking a pod with alternate colored versions of his outfit, one labled "BEEHO YOO" and the other labeled "MILLER".
Windjammers Wiki on Miller (note that this site is not a Wiki in the Wikipedia sense and cannot be edited by a common user, making it a valid source):
https://www.windjammers-france.fr/wiki/wiki-en/miller-en
Windjammers Steve Miller gameplay:
https://youtu.be/wXwQIr8p8Q8
Windjammers Beeho Yoo gameplay:
https://youtu.be/wl167lGceIg
Miller's ending in Windjammers 2:
https://youtu.be/DMNb-4iVM78?t=229
https://www.windjammers-france.fr/wiki/wiki-en/miller-en
Windjammers Steve Miller gameplay:
https://youtu.be/wXwQIr8p8Q8
Windjammers Beeho Yoo gameplay:
https://youtu.be/wl167lGceIg
Miller's ending in Windjammers 2:
https://youtu.be/DMNb-4iVM78?t=229
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It is possible to feed the Hungry Pumkin indefinitely past the maximum score. If one right clicks after feeding him and presses "Play", the Pumkin will repeat the eating animation, which can be done repeatedly far beyond the game's end at 25 items. The Pumkin's weight, which increases very slightly every time he eats, does not have a cap, so he can eventually become so large that he covers the entire screen (note that in the attached image, the score listed is missing its last digit, so he has eaten over 470 items, not 47).