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Tetrisphere
1
Normally, if you change the music selection to "Choose" in the Audio menu, the game will not allow the track "Prophetic - Title" to play. However, a glitch in the European version causes the song to play if the player loops through the list by pressing D-Right after the last song. This is the only way the song can be played in-game, though the game will change the song to "Azule Lux" every time a new level is loaded.

This is most likely caused by the game trying to play "Extol", as it was the last track in the US version. Since its placement was changed, the game loops the list and plays "Prophetic" instead.
Tetrisphere
1
Attachment The song "Flim Flam" is not present in the European version. The Brick variation which used this song now uses "Extol" instead, which is also the song that replaced it on the Audio menu.
Super Smash Bros. Melee
1
Although Banjo and Kazooie from Banjo-Kazooie would not appear in the series until Super Smash Bros. Ultimate, their names appear as two of the random default names selected in the Name Entry in the Japanese version of Super Smash Bros. Melee. The same is true for Conker from Conker's Bad Fur Day, another Rare character. Notably, Bad Fur Day didn't release in Japan until its Xbox remake, Conker: Live & Reloaded
Final Fight 2
1
Attachment At the end of the second phase of the France level (known in-game as round 2) there's a sign that says that the player is going to an airport (called aeroport in-game). The Japanese version mentions the real life Charles de Gaulle airport while the international version removes the name and changes "AEROPORT" into "AERO PORT".
Final Fight 2
1
Attachment In the Japanese version the pillars in the background of the France level (also known as Round 2 in-game) has graffiti peace signs painted on them. These graffiti were changed in the international version so that they no longer resemble peace signs.
The Punisher
1
Attachment Punisher and Nick Fury's special kick moves (Flaming Sonic Kick and Flaming Flip Kick, respectively) set the enemy on fire in the Japanese version while in the international version these attacks make the enemy bleed.
person ZpaceJ0ck0 calendar_month August 26, 2022
RageQuitter87's website:
https://rq87.flyingomelette.com/RQ/R/ARC/PUN/1.html

Punisher's Flaming Sonic Kick (JP version):
https://www.youtube.com/watch?v=7sjEYG81__8#t=47s

Nick Fury's Flaming Flip Kick (JP version):
https://www.youtube.com/watch?v=LRDIE-DMIBE#t=4m37s

Footage of the special moves in action (international version):
https://www.youtube.com/watch?v=i9Fe25DAqVc#t=1m25s
[Note: Turn captions on to see the names of the moves]
The Punisher
1
Attachment Both playable characters have a flying fire kick move that can only be done in the Japanese version. It is unknown why this attack was removed from the international version of the game.
person ZpaceJ0ck0 calendar_month August 26, 2022
X-Men vs. Street Fighter
1
The Japanese version features pre-battle dialogue between Apocalypse and every single playable character. These intro dialogues were not translated and instead they were removed from the international versions of the game.
Binary Domain
1
Attachment Exclusive to the Japanese console version of the game are four multiplayer skins based off Yakuza characters Kazuma Kiryu, Shun Akiyama, Ryuji Goda, and Goro Majima.
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Masaharu Iwata, he stated in the description for "Under the Stars" that he figures “‘I should write a normal song’, but when I do, oh my!” He also commented that the frequency range on the song’s instrumentation was “a little overstuffed”.
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Masaharu Iwata, he stated that when his older brother Sakimoto heard the "Night Attack" theme, he said to Iwata that the theme sounded like it was done by a foreigner trying to write something that sounds "Japanese". Iwata took it as a harsh comment, but agreed with him, admitting that he was too influenced by playing a lot of Western games at the time. He really wanted the atmosphere to feel like a night raid, but the latter half of the song "sounds like all the soldiers are dancing around or something".
Black Belt
1
In January 1997 interview with Yuji Naka and Naoto Ohshima published in the Sega Magazine about their early days working for the company, he was told by an interviewer about the game (specifically talking about the original Japanese version based on Fist of the North Star) being a masterpiece on the Master System. He asked Naka if he was asked to make it? He responded:

"No, I didn’t. To tell the truth, Hokuto no Ken wasn’t really my thing. The reason why is really stupid, but in high school I had good friend who I had a falling out with, and this friend loved Hokuto no Ken… so after that experience, I just couldn’t get into it.

I joined Sega when I was 18, and before long they asked me to make Hokuto no Ken… I was like, "seriously?" But I did the programming all the same, and I also created the bosses and henchmen too. The planner gave me a rough outline of what kind of characters they were, and when I got really lost, I would read the relevant parts of the comic. “Oh, I see now… he’s like this.”

So I understand why people think I must love Hokuto no Ken, but that wasn’t the case."

Ohshima commented on Naka's response, that he had never heard that story before and it made him think "ah hah, so that’s why he wouldn’t let me do the musclemen type characters I’ve wanted to draw for so long."
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Masaharu Iwata, he stated that the "Decisive Battle" felt out of step with the game's historical period. He felt it was more like "a muscle-bound action hero wielding a gatling gun in one hand", instead of wielding sword and sorcery, and apologized if it sounded a little phoned in, adding "I'd do it differently now".
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Hitoshi Sakimoto, he joked that he wrote "Bloody Excrement" while he was thinking about the game's protagonist, Mr. Forest Bear, a "pleasant, heartwarming tale of Mr. Bear’s family adventure, that's really never explained", and that his original idea for the song was to make it feel like a pleasant, heartwarming story of Mr. Bear’s family adventure.
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Hitoshi Sakimoto, he stated that he'd tried to evoke "the feeling that you were fighting in the midst of mother nature all around you" for "A Chapel".
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Hitoshi Sakimoto, he stated that the "Random Waltz" theme was his very first battle theme he wrote, and it served as something like a test for different sampling techniques he wanted to experiment with, which he found very memorable. He also stated that, at the time of this interview, when he thought back on when he wrote the theme, it felt like it was 5 years ago, but it was actually only half a year.
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Masaharu Iwata, he stated that the title for "Back Fire" is actually “Chotto Otona no Daakuman” (“A More Mature Darkman”). A few years prior for the game Tactics Ogre: Let Us Cling Together, he composed the last boss theme named “Darkman Abikyoukan” (“Darkman Pandemonium”), which he described as an "up-tempo, kind of insane sounding song" on a level of madness that "Back Fire" couldn't quite reach, hence the title.
The Last of Us Part I
1
In The Last of Us Remastered's commentary with actress Ashley Johnson and director Neil Druckmann, in the scene where Joel found Ellie in the abandoned house, Ashley stated that she improvised by shoving him out of frustration, because she felt emotional reading for the scene where Joel is planning to leave her to Tommy.

Druckmann stated that the team wanted him to remove this scene where Joel is being too cold to Ellie, but he refused because he felt it was important to keep in the scene that Ellie is "being so vulnerable and [Joel is] having these feelings. He's trying to shut it down". Druckmann also commented that when Joel said to Ellie "You're not my daughter", he stated that while that quote is almost an insult, it's the opposite of what he actually feels.
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Masaharu Iwata, he stated that "Run Past Through The Plain" ended up being the third battle theme. He thought that the two previous battle themes were too "in your face", so he decided to create a song with a central melody that sounded more friendly. Eventually it ended up sounding like "something you’d hear at a matsuri (local festival)".
Final Fantasy Tactics
1
In the Japanese version's commentary with the game's composer Masaharu Iwata, he stated that the theme for "Unavoidable Battle" was the first battle theme he created. Before "Unavoidable Battle", he created another battle theme before it, but it felt too happy-sounding, so the team rejected it. As he reflected on it, he created "Unavoidable Battle" to be a more pointed, exaggerated song, while the rejected music was re-purposed and used for the Unit Introduction theme, which is played over the opening demo.
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