"I played their Strong Bad game. I like their approach to puzzle-based storytelling. I thought they were more focused on telling a good story, and I thought they were good at engaging the player in the narrative. That's what interested me in making a Walking Dead game. They came to me with a proposal that involved decision-making and consequences rather than ammunition gathering or jumping over things; I was impressed by that. The only thing that's really special about The Walking Dead is the human characters and the narrative that they exist in. It's all about drama and loss, so I felt like doing a game with that focus, but that wasn't something that I knew was really possible. When Telltale came and told me about the way that making decisions changed the game and the way that players would be forced to choose between two bad decisions and how the survival aspect of The Walking Dead would actually be brought to the forefront – that's when I was sold on the game."

Andy: "Mama says we can't keep that many folks alive and not expect trouble. Pick one to keep and kill the rest."

Danny: "Can I pick which one to keep alive?"

Andy: "Not the kid. Not enough meat on her to trade."

"We actually recorded Danny three times. The first session we played him on the lighter side. When the producers listened to the recordings, the thought we could go a bit darker with him, so I was brought back to the studio and we added some vocal affectations to Danny (stutter, and breathing). There were a few lines where we really turned up the creepy factor on Danny. Well when that session was reviewed, it was decided we went too far, Danny was revealing too much too soon by being too creepy (one of his lines was actually omitted completely from the game... too bad to, it was pretty damn creepy), so we came back in for a third time, and married the two performances together to give you the Danny you experienced in the game. As Goldilocks said "Just right". Although I doubt Ms. Locks was referring to Danny at the time."